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Colour

Baselight is our premium grading system of choice, offering the best in the industry, which gives our clients peace of mind - utilising the highest-degrees of colour science and accuracy. Coupled with our industry-leading Sony BVM-HX310 Trimaster Reference Monitor, our Baselight TWO system gives us the confidence and ease to know your rushes will really sing.

Our premium suite, Grade 1, gives our clients access to a cinema-level grading experience in Baselight, bridging the gap between the grade and the cinema room, which also features 5.1 Surround Sound.

Our secondary suite, Grade 2, runs Resolve. We adopt a set of hybridised suites to suit as wide a variety of productions as possible, regardless of budget.

We work exclusively using scene-referenced; ACES managed-workflows, and are equipped to deliver content in 4K, HDR and beyond. We also have the flexibility to work in other client-specified colour workflows too, such as where specific working colour-spaces have been specified.

VFX

We specialise-in and supply the full breadth of VFX including Compositing & Clean-Up, Digital Matte Painting, Rotoscoping and both On-Set & C.G. VFX supervision

Led by our experienced in-house VFX producer-creatives, the department is known for its exceptional attention to detail and care: from project ideation and management utilising design innovation and technical execution, leaving no stone unturned and a fully-realised VFX world regardless whether VFX takes centre-stage in your film or not.

We provide tailor-made workflows and are used to working across high-end delivery specifications. Our custom-built workflows mirror those of established VFX vendors, and - coupled with our integrated relationship with the Colour Department - mean you get the very best out of your images.

QC & Delivery

Completing our air-tight post production pipeline is our QC & Delivery Services.

We are committed to being a theatrical-first post production facility, and as-such, have become specialists in DCP & ProRes Authoring & Quality Control. All mastering and packaging is done in-house, or we can package and partner-up with external vendors/facilities depending on the brief.

We run Automated File Checks (AQC / PSE) on All Final Deliverables (Master Files & Viewing-Spec Files) in-conjunction with an Eyeball QC performed by our experienced technical operators, noting every detail to ensure they adhere to the project’s delivery specifications.

All DCPs are QC’ed in a cinema next-door to the London Office. All screens are 4K Sony Picture Quality and are fitted with Dolby Digital (5.1) Surround Sound.